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Call for Chapters: House of the Devil: Satanic Cultures (and Panics) from the 60s to Today

Deadline: October 15, 2020
Contact person: James Pate, Brian Santana / Shepherd University


            From the Satanic and occult counter-cultures of the late 60s, as seen in the films of Kenneth Anger, to the Satanic Panic of the 80s, to the progressive-style Satanism of music groups like Twin Temple and organizations like The Satanic Temple, Satanism in the U.S. (both real and imagined) has long reflected the anxieties, hopes, and concerns of the culture at large.

Satan has been seen as a corrupter and a liberator, a literal being and a Romantic metaphor, and the “satanic” has long been a site for various cultural conflicts and energies. Though there have been books about specific aspects of modern Satanism, this collection will focus on how the image of Satanism has changed over the past decades.

Topics for chapter proposals may include, but are not limited to:

  • Satanic and occult imagery in the 60s, and its relation to 60s countercultures
  • the role movies such as The Exorcist and The Omen might have had in bringing the occult mainstream
  • Discussions on the relationship between the rise of talk shows and Satanic Panic
  • The relationship between the Satanic Panic and the rise of the Religious Right and The Moral Majority
  • The complicated relationship between neo-paganism and Satanism
  • Fashion and Satanism
  • Essays on Satanic lifestyles
  • The use of Satanic imagery in music and music videos (especially interested in musical artists who are women and/or BIPOC)

Chapter proposals should:

1. In 500 words (or less) define the focus and argument of the chapter.
2. Be submitted as a pdf or word document. Proposals should be double-spaced, with Times New Roman, 12- point font, and Chicago style citations.
3. Include a copy of the author's CV and a 50 -word biography

Proposals and questions should be sent to Dr. Brian Santana and/or Dr. James Pate at or

The Fourth Annual Ann Radcliffe Academic Conference at StokerCon 2021
Abstract Submission Deadline: November 30, 2020

Conference Dates: Thursday, May 20, 2021 - Sunday, May 23, 20201
Conference Hotel: The Curtis Hotel, 1405 Curtis Street, Denver, CO 80202
Conference Website:

The Ann Radcliffe Academic Conference co-chairs invite all interested scholars, academics, and non-fiction writers to submit presentation abstracts related to horror studies for consideration to be presented at the fourth annual StokerCon which will be held May 20 - 23, 2021 in Denver, CO.
The Ann Radcliffe Academic Conference is an opportunity for individuals to present on completed research or work-in-progress horror studies projects that continue the dialogue of academic analysis of the horror genre.  As in prior years, we are looking for completed research or work-in-progress projects that can be presented to with the intent to expand the scholarship on various facets of horror that proliferates in:

    • Art
    • Cinema
    • Comics
    • Literature
    • Music
    • Poetry
    • Television
    • Video Games
    • Etc.

We invite papers that take an interdisciplinary approach to their subject matter and can apply a variety of lenses and frameworks, such as, but not limited to:

    • Auteur theory
    • Close textual analysis
    • Comparative analysis
    • Cultural and ethnic
    • Fandom and fan studies
    • Film studies
    • Folklore
    • Gender/LGBT studies
    • Historic analysis
    • Interpretations
    • Linguistic
    • Literature studies
    • Media and communications
    • Media Sociology
    • Modernity/Postmodernity
    • Mythological
    • Psychological
    • Racial studies
    • Semiotics
    • Theoretical (Adorno, Barthes, Baudrillard, Dyer, Gerbner, etc.)
    • Transmedia
    • And others

Conference Details

    • Please send a 250 – 300 word abstract on your intended topic, a preliminary bibliography, and your CV to by November 30, 2020. Responses will be emailed out during the month of December. Final acceptances will require proof of StokerCon registration.
    • Presentation time consideration: 15 minute maximum to allow for a Question and Answer period. Limit of one presentation at the conference.
    • There are no honorariums for presenters.
    • In support of HWA’s Diverse Works Inclusion Committee goals, the Ann Radcliffe Academic co-chairs encourage the widest possible diverse representation to apply and present their scholarship in a safe and supportive environment. More information at:
    • Please subscribe the StokerCon’s Newsletter to keep abreast for the latest conference information. 

Organizing Co-Chairs
Michele Brittany and Nicholas Diak

The Ann Radcliffe Academic Conference is part of the Horror Writers Association’s Outreach Program. Created in 2016 by Michele Brittany and Nicholas Diak, the Ann Radcliffe Academic Conference has been a venue for horror scholars to present their work. The conference has also been the genesis of the Horror Writer Association’s first academic release, Horror Literature from Gothic to Post-Modern: Critical Essays, comprised entirely of AnnRadCon presenters and was released by McFarland in February, 2020.

Membership to the Horror Writers Association is not required to submit or present, however registration to StokerCon 2021 is required for to be accepted and to present. StokerCon registration can be obtained by going to There is no additional registration or fees for the Ann Radcliffe Academic Conference outside StokerCon registration. If interested in applying to the Horror Writer’s Association as an academic member, please see .
StokerCon is the annual convention hosted by the Horror Writers Association wherein the Bram Stoker Awards for superior achievement in horror writing are awarded.
Souhern Gothic Subversion

Deadline: July 29, 2020

This interdisciplinary panel invites submissions for papers that examine the subversive aspects of the Southern Gothic genre in literature, film, television, or music. Creative new readings of traditional Southern Gothic texts from O'Connor, Faulkner, Williams, etc. are welcome. Also encouraged are explorations of contemporary texts such as the HBO series True Detective, fiction from Toni Morrison and Dona Tartt, or music from The Handsome Family and Iron and Wine.

Please submit a 250-word abstract, brief biographical statement (including academic affiliation and contact information), and A/V requirements to Mary McCampbell at by July 29, 2020.
Latin American Gothic Literature in its Early Stages: Trappings, Tropes, and Theories (NeMLA 2021)

Deadline: September 30, 2020

The Gothic is having a moment, as it tends to do in times of collective panic and uncertainty. Even Latin America, whose geographical, linguistic and historical distinctiveness have supported its all-but-exclusion from global Gothic Studies, has experienced a rise in scholarship on contemporary Gothic horror—from studies on the double and hybridity to zombies and cannibals, among others. Typically excluded from this narrative, however, are theories on the origins and early representations of the Gothic, and how regional, linguistic and historical particularities nourished a Latin American Gothic tradition that, although indebted to its European Gothic predecessors, deviated from it in unique and meaningful ways. There has been some debate over the circulation of translations throughout Latin America: Did Edgar Allan Poe’s short stories, for example, circulate in French or, decades later, in English, and to what extent did his formal experimentation influence Latin American writers? This panel diverts from this limited scope of inquiry, suggesting instead a broader perspective that examines the complexity of literary currents, their subcategories, and their subjective means of classification. Why is it that Latin American literary scholarship only begins to use the term Gothic in reference to Carlos Fuentes when Eduardo Wilde, Juana Manuela Gorriti and Horacio Quiroga, among others, were experimenting with Gothic trappings, the occult and suspense? The purpose of this panel is to revisit Latin American literary works previously associated with more “respectable” and “valuable” literary currents in terms of the Gothic and a unique Latin American Gothic literary tradition. Of particular interest are theoretical approaches that revisit modernista, romantic and fantastic literature through a Gothic lens. Collectively, this panel will deepen scholarship on the dialectics at the heart of cultural production in the region: civilization/barbarity, indigenous/European, monstrous/homogenous, etc.

Please submit abstracts here:
The Dread of Difference(s): Horror, Gender, and Cinematic Defiance (NeMLA 2021 Seminar)

Deadline: September 30, 2020

Since Carol J. Clover’s seminal work Men, Women, and Chainsaws (1992), feminist readings of horror movies have gained an enthusiastic theoretical momentum. In employing various frameworks and lenses and by complicating our spectatorial position, this rich corpus of literature has perhaps contributed to a resignification of the genre and its tropes. However, amid the emergence of luminous movies that defy and challenge horror’s misogynistic and racialized foundations, several questions arise: Is contemporary horror cinema really abjuring its heteronormative, original structure? Does mainstream horror still convey trite reactionary messages with renewed vigor? If a shift in the architecture of horror is truly in place, what are the most defiant examples of the “new wave”, and how do they accomplish this necessary ideological turn?

This seminar invites submissions that explore the ways in which contemporary filmmakers use horror in order to challenge or, conversely, reproduce hegemonic master narratives. Of particular interest are critical analyses of movies that tritely reproduce an oppressive understanding of the space that gender, class, and race occupy in the social. Proposals with an emphasis on Women’s Cinema(s) and LGBTQ cinema(s) are particularly welcome. Possible topics include, but are not limited to:

Postmodern Horror,  Humor, and Agency

Witches, Vampires, Zombies: Conventional or Radical Revisitations of Tropes

Gender and “Horror Noire”

Empowered and Disempowering Femmes Fatales

Horror, or the Reinforcement of Heteronormativity through Fear

Haunted Houses and Nuclear Families

Found-Footage Horror and New Articulations of the Slasher

Empty Vessels: Demonic Possessions and Women’s Bodies

NeMLA seminars require that papers be completed and circulated among participants prior to the conference. Participants will be asked to read all papers and be prepared to contribute to a structured discussion. Presentation time will be limited to a maximum of 10 minutes, focusing on an overview and/or highlights of the paper.

Please submit an abstract of 200 to 250 words describing your proposed seminar paper by September 30th, 2020, to the submission page: With your abstract, please include a statement acknowledging these obligations and expressing a commitment to fulfill them.

NB: Participants must submit a complete draft paper no later than February 1st, 2021, to be shared with all seminar participants prior to the conference. Papers should be between 15-20 pages, typed (Times New Roman, 12p) and double spaced, and include a “Works Cited” section. All participants are expected to read each other’s papers in preparation for the session and provide at the conference a one-paragraph response to one person as assigned by the session chairs.
Academic and Non-Fiction Publishers / Punctum Books
« Last post by nicholasdiak on June 19, 2020, 12:00:45 PM »
Punctum Books

punctum books, originally founded in Brooklyn, New York in 2011, and with editorial offices in Santa Barbara (USA) and The Hague (Netherlands), is an independent, not-for-profit, public benefit, 501(c)(3) corporation (application pending) registered in Santa Barbara, California. We are an open-access publisher dedicated to radically creative modes of intellectual inquiry and writing across a whimsical para-humanities assemblage (in which assemblage you will find humanists keeping rowdy and thought-provoking company with social scientists, scientists, multi/media specialists, artists, architects, and designers). We have a special fondness for neo-traditional and unconventional scholarly work that productively twists and/or ignores academic norms, with a special emphasis on books that fall length-wise between the article and the monograph—id est, novellas, in one sense or another. We also take in strays of any variety. This is a space for the imp-orphans of your thought and pen, an ale-serving church for little vagabonds.

Publisher's Website:
Submission Information:

The Hero Is Female

Deadline: June 10, 2020
Conference: 2020 PCAS/ACAS New Orleans Oct 1 -3

The Hero is Female Katniss Everdeen’s hand signal is now used at real-world rallies, and Princess Leia is the face of the real-world resistance movement. More than ever fictional female protagonists are symbols of hope and strength during these turbulent times, but power can take many forms and often these characters can take nontraditional paths. This panel will focus on female protagonists in fiction and film, with an emphasis on genre narratives, as we examine the ways in which women of all ages gain revelations and empowerment.

Please submit a 250-300 word abstract, a brief bio, and any A/V needs by June 10, 2020 to Crystal O’Leary-Davidson at Middle Georgia State University .
The Jurassic Park Book: edited collection

Editors: I.Q. Hunter and Matthew Melia
Contact email:

Proposals are invited for contributions to a proposed edited collection of new essays on Jurassic Park (1993), its sequels, franchise, and spin offs.

Steven Spielberg’s Jurassic Park (1993) took over $50 million dollars in its opening weekend and went on to gross over $1 billion worldwide at the box office.  One of the definitive Hollywood blockbusters, Jurassic Park met with almost universal critical and popular acclaim, broke new ground with its CGI recreation of dinosaurs, and started one of the most profitable of all movie franchises.

To mark the film’s 30th anniversary, this collection aims to interrogate the Jurassic Park phenomenon from a diverse range of critical, historical, and theoretical angles.  Proposals are especially sought for 6 – 7000 word chapters on gender, race, and colonialism; international distribution, marketing, reception and audiences; merchandising, toys, video games and other spin offs; CGI, SFX, film form and production design (cinematography, editing, sound, music etc.).

Please send proposals of 250 words with a short biography and note on institutional affiliation to Ian Hunter: and Matt Melia: by 31 July 2020.

Academic and Non-Fiction Publishers / Verso Books
« Last post by nicholasdiak on May 22, 2020, 06:51:18 AM »
Verso Books

Verso Books is the largest independent, radical publishing house in the English-speaking world, publishing one hundred books a year.

Submission Guidelines

Taken from:

The majority of our list is non-fiction, and we do not consider unsolicited fiction submissions.

Please limit your proposal to fifteen pages, and include all of the following:

  • A page or two that provides an overview of the book's main themes.
  • A list of contents, with a short paragraph on each chapter.
  • Some background on the author, or contributors.
  • A paragraph on what you perceive as the main markets for the book.
  • Information about any competing titles, published or forthcoming, of which you're aware.
  • Your intended writing timetable.

Note that because of the volume of proposals we receive we cannot individually acknowledge them. If we like the sound of a proposal, then we will reply to you within two months. If you have not heard from us after two months then we are unable to take your project forward.

Please also note that we consider only digital submissions, to the email addresses below. We will not consider paper submissions.

North America:

UK and Rest of World:

For submissions for the Verso Blog, please send all pitches to the email address below. Please include a short description of the piece you wish to write, along with information about yourself and why it would work for Verso. We normally publish articles of between 1,000 to 2,000 words (although this is negotiable, depending on the piece), and we will not consider fiction or poetry. Due to the high volume of pitches we receive, we cannot respond to all enquiries, but we will aim to respond within a week to all those we are considering for publication.

Blog Submissions:

Symposium and Issue 2 Launch
The University of Roehampton, London, October 30th, 2020

ABSTRACT DEADLINE: 12th June, 2020
Organisers: Dr Elizabeth Parker, Dr Michelle Poland, and Dr Rachele Dini
Confirmed keynotes: Professor Dawn Keetley and Dr Anne Lister
Academic Keynote: Professor Dawn Keetley (Lehigh University, Pennsylvania)

Note: We are acutely aware that this CFP coincides with extremely uncertain times re COVID-19. Of course, it is currently unknown when gatherings of people will be able to resume as normal. We have every intention of holding this event in October, but first and foremost must prioritise the safety of our attendees. If necessary, we will either postpone the conference or host it virtually. We also wish to be sensitive to the fact that the themes of the conference have the potential to be somewhat uncomfortably relevant to the current ecosocial crisis; however, we feel that it is important—now more than ever—to provide a space in which we can, together, critically reflect on these ‘Gothic times’, particularly when the line between real and fictional Gothic Nature is becoming ever more blurred.

Our images of monstrous Nature don’t just reflect our fear of Nature; they actively teach it
– J. W. Williamson

In Autumn 2020, we will publish the second issue of the peer-reviewed and open-access journal Gothic Nature: New Directions in Ecohorror and the EcoGothic, which is devoted to exploring the darker side of our relationships with the nonhuman world. This journal provides a space for new and established scholars alike working at the intersections of ecocriticism, Gothic and horror studies, and the wider environmental humanities more broadly. It aims to provide deeper understandings of
the importance of our monstrous, sublime, spectral, and uncanny constructions of Nature in our varied and contradictory narratives – and to productively question how Gothic and horror might factor in our conceptions and experiences of contemporary ‘real life’ ecological crisis. To celebrate the release of the second issue of Gothic Nature, we are holding a one-day symposium, generously hosted by the English and Creative Writing Department at The University of Roehampton, to bring together academics, artists, activists, and enthusiasts working in various ways with the subject of Gothic Nature. We are particularly keen to hear from those seeking to build on discussions raised in Issue One, as well as those eager to provide insights on themes as yet largely unexplored – such as the decolonisation of the ecoGothic, the Gothicity/horror of environmental science, media, and medicine, and the increasing imbrications between ecohorror/ecoGothic and environmental activism.

We invite proposals for 20-minute scholarly papers and 5-10-minute creative readings. We also warmly welcome proposals from scholars, artists, and activists for alternative modes and formats (critical or creative dialogues, conversations, performances, screenings, presentations, etc.) Topics might include, but are by no means limited to:

• EcoGothic and ecohorror: theories, distinctions, directions
• Decolonising the ecoGothic
• Green Gothic Activism
• Anthropocene Gothic
• The ‘horror’ and ‘Gothicisation’ of contemporary climate crisis
• Bleeding genres: ecoGothic/ecohorror/folk horror/the new weird, etc.
• Gothic and food politics: vegetarianism, veganism, carnivorism, cannibalism
• The intersections of Gothic Nature: class/race/gender/sexuality, etc.
• Gothic and waste, pollution, and/or sustainability
• Haunted landscapes
• The dark blue Gothic: Gothic coasts, seas, oceans, icescapes, etc.
• The dark green Gothic: Gothic woods, forests, heaths, gardens, etc.
• Gothic ecology/Gothic geology
• Nature monsters: wolves, trolls, wendigos, witches, Pan, slender men (!), etc.
• Animal horror
• Plant horror

Please send abstracts of 350 words, as well as a brief biography of 150 words to us at by 12th June, 2020 (or feel free to contact us informally should you wish to talk through ideas or have any queries). Proposals for panels are also welcome: in these instances, please send a 200-word summary of the rationale for the panel, in addition to individual abstracts.

We are keen to provide a rich, stimulating, and inclusive hub to all Gothic Naturalists and in doing so to celebrate all ecohorror- and ecoGothic-related activity. We will be using the symposium as a platform to launch Elizabeth Parker’s The Forest and the EcoGothic: The Deep Dark Woods in the Popular Imagination (Palgrave Gothic, 2020) and if you too would like to use the symposium as an opportunity to launch a book or collection, or announce any other related event, we would love to hear from you.

About the Journal

Gothic Nature: New Directions in Ecohorror and the EcoGothic is an interdisciplinary and peerreviewed open-access academic journal seeking to explore the latest evolutions of thought in the areas of ecohorror and the ecoGothic. It welcomes articles, reviews, interviews, and original creative pieces interrogating the darker sides of our relationship with the nonhuman from new and more revered scholars working at the intersection of ecocriticism, Gothic and horror studies, and the wider environmental humanities. All GN issues and blogs can be found here:

Founding editor: Dr Elizabeth Parker
Co-editors: Dr Elizabeth Parker and Dr Michelle Poland
Book review editor: Professor Jennifer Schell
TV and film review editor: Assoc. Prof. Sara L. Crosby
Editorial Board: Professor Stacy Alaimo, Professor Eric G. Anderson, Dr Scott Brewster, Dr Kevin Corstorphine, Dr Rachele Dini, Professor Simon C. Estok, Dr Tom J. Hillard, Professor William, Hughes, Professor Dawn Keetley, Dr Ian Kinane, Dr John Miller, Professor Matthew Wynn Sivils, Professor Andrew Smith, Dr Samantha Walton.
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